A quartet of smaller studies in the same language as The Patient Ground and Harvest in Motion — each canvas its own small plot of striped color, tilled in green, gold, red, and teal. Together they read like a patchwork seen from a lower window: not the whole farmland, but four honest corners of it, each holding its own quiet history. Acrylic on canvas, palette knife, 8 x 8 in each, floating frame.
